The preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.
Everyone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.
Originally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.
Integrated Rack Ears
With integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.
Durability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.
A Revolution in Digital
40 years of experience working with professional mixers has led Yamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.
An invaluable feature for applications that require both public-speaking and background music, Priority Ducker allows a microphone to take priority over another sound source automatically, just by speaking into the mic. Stop talking and the other sound source is brought back to its original level, therefore no console operator is required for this simple yet valuable function. You can even adjust the ducker attenuation of sound source depending on your preferences.
This intelligent compressor “auto levels” different tracks from a sound source that vary in volume, providing a more pleasurable listening experience. Ideal for small events with un-manned operation of your console, Yamaha's proprietary DSP algorithm allows for extended play time without the worry of fluctuating volume levels distracting your listeners.
The Stereo Image
The Stereo Image function seamlessly narrows the pan balance of the stereo sound source so that audiences spread over a wide area can enjoy a comfortably blended mix. This is particularly helpful for installed sound applications that requires background music. Using either of the two optimized settings—MONO and BLEND— Stereo Image ensures that everyone is in the "sweet spot" by providing a more optimally mixed sound to the entire space.
Dual Digital Effects
MGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.
Digital Connectivity for iPod/iPhone
- Integrate Your Apple Devices into Your MGP Sound Experience - In response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console. - MGP Editor MGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings. -High-Quality Digital Playback The MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide. * MGP Editor can be downloaded from Apple's App Store at no charge. * Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.
The new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.
The MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.
High-Quality Digital Playback
The MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.
USB Device Recording and PlayBack
It's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive). When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.
Notes on the Use of USB Memory
As transfer speed requirements are strict for recordings made in WAV format
As transfer speed requirements are strict for recordings made in WAV format, normal recording may not be possible when using USB memory. Accordingly,
we recommend recording to a hard disk with a fast transfer speed or to an SSD (Solid State Drive). When recording in MP3 format, USB memory, hard disk, and SSD may all be used.
When first using a USB memory immediately following purchase or formatting with the MGP32X and MGP24X
When first using a USB memory immediately following purchase or formatting with the MGP32X and MGP24X, and after pressing the record button, a message such as “Storage Full!” may appear on the screen (depending on the USB memory), after which it may be impossible to use the USB recorder function. This is due to an error relating to the information on the free space in the USB memory immediately following purchase or formatting. If the information on the free space in the USB memory is initialized, it might take too much time for the mixer to analyze the amount of free space.
This error can be avoided by copying a file into the USB memory, or performing some other file operation on it, thereby updating the free space information. When using a USB memory with the MGP32X and MGP24X, it is recommended that you first conduct the operation described above.
(If the abovementioned condition occurs)
Remove the USB memory from the mixer and turn the power off and then on again. When you use the USB memory again, carry out a file operation on a computer such as copying a file into the USB memory.